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American culling metal band

Deftones
Deftones performing at the Shepherd's Bush Empire in 2011; from left to right: Carpenter, Cunningham, Moreno, and Vega

Deftones performing at the Shepherd's Bush-league Empire in 2011; from left to right: Carpenter, Cunningham, Moreno, and Vega
Groundwork information
Origin Sacramento, California, U.Due south.
Genres
  • Alternative metal
  • art rock
  • experimental stone
  • shoegaze
  • nu metallic
Years active 1988–present
Labels
  • Bohemian
  • Warner
  • Reprise
Associated acts Phallucy
Website deftones.com
Members
  • Stephen Carpenter
  • Abe Cunningham
  • Chino Moreno
  • Frank Delgado
  • Sergio Vega
Past members
  • Dominic Garcia
  • Chi Cheng
  • John Taylor

Deftones are an American alternative metal band formed in Sacramento, California in 1988. Information technology was formed by Chino Moreno (lead vocals, rhythm guitar), Stephen Carpenter (atomic number 82 guitar), Abe Cunningham (drums), and Dominic Garcia (bass). During their outset five years, the band's lineup inverse several times, merely stabilized in 1993 when Cunningham rejoined later on his deviation in 1990; past this time, Chi Cheng was bassist. The lineup remained stable for fifteen years, with the exception of keyboardist and turntablist Frank Delgado being added in 1999. The band is known as ane of the most experimental groups to have come up from the culling metal scene.[ane] [ii]

Deftones have released nine albums since their inception. Subsequently the lineup settled in 1993, the band secured a recording contract with Bohemian Records, and subsequently released their debut anthology Adrenaline in 1995. Promoting the anthology by touring exhaustively with other bands in the scene, Deftones managed to gain a dedicated fan base through word of mouth. Their 2d anthology Around the Fur was released in 1997, reached chart positions forth with its singles, and became the ring'southward first to receive certification from the RIAA. The band found fifty-fifty further success with their 3rd album White Pony (2000), which saw a transition away from their earlier, more ambitious sound into a more experimental management. Its lead single "Alter (In the House of Flies)" is the band's most commercially successful unmarried, and the runway "Aristocracy" won a Grammy Accolade for All-time Metal Performance; information technology was also the band's commencement of three albums to be certified platinum in the Usa. Their cocky-titled 4th album was released in 2003. While the group's critical success continued, sales proved to exist lackluster compared to White Pony.

Deftones' fifth studio effort, Saturday Night Wrist, was released in 2006. While critically acclaimed, the anthology's production was marred by artistic tensions and personal bug within the band, some of which influenced its textile. In 2008, while Deftones were working on an anthology tentatively titled Eros, Cheng was involved in a traffic collision. As a issue, he was left in a minimally conscious state until his decease in 2013 of cardiac arrest. Later Cheng's blow, Deftones halted production on Eros. Quicksand bassist Sergio Vega, who had filled in as a touring member to replace Cheng, later on became his permanent replacement.

The band released Diamond Eyes in 2010 and embarked on a triple-headline tour with Alice in Chains and Mastodon throughout North America. Their seventh and eighth albums, Koi No Yokan (2012) and Gore (2016) respectively, saw the ring continue to motion in an increasingly experimental direction and were released to critical acclaim. Their latest album, Ohms, was released on September 25, 2020, receiving pregnant critical praise for its return to the band'due south heavier audio.[iii] They have sold more than than 10 meg albums worldwide.[iv]

History [edit]

Early years (1988–1993) [edit]

When Stephen Carpenter was 15 years old, he was hit past a machine while skateboarding. Confined to a wheelchair for several months, he began educational activity himself guitar by playing forth to songs past thrash metal bands such as Anthrax, Stormtroopers of Decease, and Metallica.[v] A long-circulated myth declared that the driver paid Carpenter a cash settlement that allowed the band to purchase equipment,[5] [half dozen] [7] but Abe Cunningham commented in a 2007 interview that the story nearly the settlement was false.[8]

Carpenter, Moreno and Cunningham began playing together while attention C. Grand. McClatchy High School in Sacramento.

Carpenter, Cunningham and Chino Moreno were childhood friends. All three went to C. K. McClatchy High Schoolhouse in Sacramento and remained friends through the urban center's skateboarding scene.[5] Carpenter was a fan of heavy metal, and Moreno was interested in hardcore punk bands such equally Bad Brains and post-punk and new wave bands such as Depeche Mode and the Cure.[9] When Moreno institute out that Carpenter played guitar, he prepare up a jam session with Cunningham, who played drums, and the 3 began playing regularly in Carpenter'south garage around 1988.[5] They recruited bassist Dominic Garcia some time later on, and the band became a iv-piece.[10] When Cunningham left Deftones to join Phallucy, some other band from Sacramento, Garcia switched to drums.[ten] [eleven] Chi Cheng joined to play bass, and the band recorded a four-runway demo soon afterwards.[5] John Taylor replaced Garcia on drums in 1991, until Cunningham's return in 1993.[x] Within two years, the ring began playing club shows and subsequently expanded their gigging territory to San Francisco and Los Angeles, where they played shows alongside bands such as Korn.[7] [12] While closing for another band in L.A., later on the majority of the audition had left, the ring impressed a Bohemian Records representative. They were signed to the characterization afterwards performing iii of their songs for Freddy DeMann and Guy Oseary.[7] [12]

Carpenter created the band's proper name by combining the hip hop slang term "def" (which was used by artists such as LL Cool J and Public Enemy) with the suffix "-tones," (which was pop amongst 1950s bands such as the Delltones and the Harptones).[xiii] The name is also a pun on the term "tone deaf."[9]

Adrenaline (1994–1996) [edit]

The band's debut album, Adrenaline, was recorded at Bad Animals Studio in Seattle, Washington and released on October 3, 1995. It was produced past Deftones and Terry Date, who would continue to produce the ring'southward side by side three albums. While they were initially commercially unsuccessful, the band built a defended fan base through extensive touring, word-of-mouth and Net promotion. Through their efforts, Adrenaline went on to sell over 220,000 copies.[6] It is regarded every bit an important part of the 1990s nu metal movement.[14] [15] [16] An early track which predated Adrenaline only did not make the album's final cut was "Teething"; the band contributed the song to the soundtrack for the 1996 film The Crow: City of Angels. The ring can besides be seen performing the song live during one of the film'southward scenes.[17]

The anthology spent 21 weeks on the Billboard Heatseekers chart, reaching a superlative position of 23.[18] When asked what he attributed the album's success to, Cheng responded, "One give-and-take: perseverance. We've been together for most eight years, on the route for 2, and we exercise it with honesty and integrity—and the kids can tell".[nineteen] The album was certified gold by the RIAA on July 7, 1999, and was certified platinum on September 23, 2008.[4]

Regarding the recording of the album, Cunningham said, "At the time we did the kickoff tape—which I really like and think is good—you tin tell the ring was actually young. We'd been playing virtually of those songs for quite a while, and we were just then happy to be making a record that we didn't really think a whole lot about making the songs better".[20] Moreno felt that Adrenaline was recorded "really fast"[21] and performed all his vocals live with the band in the room using a hand-held Shure SM58 microphone.[22] AllMusic's review of Adrenaline praised the album's musical control, precision, overall groove and Cunningham's "surprisingly sophisticated drumming". It was also noted that "in that location is a bit of sameness in Chino Moreno's whispered vocal melodies, which drags the record down a bit".[23]

Around the Fur (1997–1999) [edit]

Deftones' second anthology, Around the Fur, was recorded at Studio Litho in Seattle, Washington and produced by Engagement. Released on October 28, 1997, the album was dedicated to Dana Wells, the tardily stepson of the singer Max Cavalera of Sepultura, Soulfly and Cavalera Conspiracy. Cavalera besides collaborated on "Headup", a tribute to Wells.[24] Although not yet a member of the band, Delgado was credited as "audio" on five of the album's tracks. Cunningham's wife, Annalynn, provided guest vocals on "MX".[25]

"When we went in to make this record, we really didn't have a set idea of what we wanted to come out with", said Moreno in a 1998 interview with Chart magazine. However, he felt that the anthology "fell into place" one time the ring had settled into the studio.[21] The band expanded its sound, spending more time with Date and giving more thought to the album's production. Cunningham varied his drum audio and experimented by using different types of snare drum on almost every track.[xx] The album was praised for its loud-soft dynamics, the flow of the tracks, Moreno'southward unusual vocals, and the strong rhythm-section performance of Cheng and Cunningham.[21] [26] [27] Stephen Thomas Erlewine's review noted that "while they don't accept catchy riffs or a fully developed sound, Around the Fur suggests they're nearly to come up into their own".[28]

Around the Fur propelled the ring to fame in the alternative metallic scene on the strength of radio and MTV airplay for the singles "My Own Summer (Shove It)" and "Be Repose and Bulldoze (Far Abroad)".[6] Around the Fur sold 43,000 copies in its first calendar week of release, and entered the Billboard 200 at No. 29 (its peak position), remaining on the charts for 17 weeks.[27] [29] The band went back to touring, making appearances at the Warped Tour (in the United States, New Zealand and Commonwealth of australia), Pinkpop Festival, Roskilde Festival and Ozzfest every bit well as releasing a live EP on June 22, 1999. Around the Fur went on to accomplish RIAA gold status on June 24, 1999, and platinum status on June 7, 2011.[iv] "My Own Summertime (Shove It)" appeared on The Matrix: Music from the Picture show, released March xxx, 1999.[30]

White Pony (2000–2001) [edit]

Moreno has been credited as contributing guitar from White Pony onwards.

On June 20, 2000, the band released their third anthology, White Pony, over again produced past Date and Deftones. It was recorded at the Record Plant studio in Sausalito, California, and at Larrabee Sound Studios, West Hollywood, California. The album debuted at No. three on the U.S. Billboard chart with sales of 178,000 copies.[31] Delgado, now a total-time band member, added new elements to the ring'southward music. The melancholy "Teenager", for example, was a difference in style and mood, a "love vocal", according to Moreno.[32] Programming duties were carried out by DJ Crook, a friend of Moreno (and bandmate in his side project Team Sleep). "Passenger" was a collaboration with singer Maynard James Keenan of Tool, and the refrain in "Knife Prty" featured vocals past Rodleen Getsic. Moreno also started contributing boosted guitar work.[33]

An interview with the band in Culling Press described the recording process of White Pony. After a interruption from touring, the ring spent four months in the studio writing and recording it, the longest amount of time they had defended to an album thus far. Moreno said that the majority of this time was spent trying to write songs, and that the writing of "Change (In the House of Flies)" was the turning point where the band began working as a unit of measurement. Despite being pressured to release the album sooner, the band decided to accept their time. Cheng explained, "We didn't feel like nosotros had annihilation to lose, so we made the record nosotros wanted to make." Moreno did not have an overall lyrical theme in mind, but made a witting determination to bring an element of fantasy into his lyrics: "I basically didn't sing about myself on this record. I made up a lot of story lines and some dialogue, even. I took myself completely out of it and wrote nigh other things".[35]

Reviews were by and large positive, commenting on Moreno'southward increasing sophistication as a lyricist and the group'south experimentalism.[36] Allmusic's review said that "Deftones went soft, just in an impressive way, to twist around its signature punk thrash sound".[37]

The album was originally released as an xi-rails edition starting time with "Feiticeira" and ending with "Pink Maggit", and featuring grayness comprehend art. A limited-edition print of 50,000 blackness-and-red jewel case versions of White Pony was released at the aforementioned time with a bonus twelfth track titled "The Boy's Commonwealth".[38] Later, the band released "Back to Schoolhouse (Mini Maggit)", a rap-influenced interpretation of "Pink Maggit". The vocal was released as a single and included as the new opening track of a re-released White Pony on October 3, 2000. The new release nevertheless had "Pink Maggit" as the final track and featured altered white cover art. Non entirely happy with re-releasing the anthology, the band negotiated to take "Back to School" fabricated available equally a costless download for anyone who had already bought the original album. Moreno noted that "Everybody'due south already downloaded our record before it came out anyway, otherwise I'd exist kind of feelin' like, 'Man, why [are] we putting [out] all these dissimilar versions of the record?' [...] that's the best way we tin can actually become this song out to the people who already purchased this record, for free basically. And if they wanna buy the record again, it'south cool".[39]

White Pony achieved platinum status on July 17, 2002,[4] selling over 1.3 1000000 copies in the US,[31] and earning the ring a 2001 Grammy Award for All-time Metallic Performance for the song "Aristocracy".[forty]

Deftones (2002–2005) [edit]

Deftones began work on their quaternary album under the working title Lovers.[41] Regarding the album'due south direction, Cheng commented, "Nosotros've proven that nosotros can musically become in any direction we want, and we want to get kind of heavy on this one".[42] Moreno underwent vocal grooming equally a precaution after severely damaging his vocal cords on the band'south 2001 summer tour.[42] The band converted their rehearsal space in Sacramento into a fully equipped studio and recorded about of the anthology there at negligible cost. The ring brought in Date to assistance with production and as well received input on musical system from Greg Wells on several of the album'south tracks. The band afterwards added more fabric at Studio Ten in Seattle, Washington and at Larrabee Sound Studios. Overall, the album took 12 months and price roughly $2.5 million to complete.[43] The ring was fined past Maverick for missing deadlines.[44]

In Jan 2003, Deftones left the studio to perform several one-off shows in Australia and New Zealand as part of the almanac Big Mean solar day Out festival.[45] Shortly later, the band returned to the studio to finish their fourth album. The cocky-titled Deftones was released on May 20, 2003. Information technology entered the Billboard 200 at No. ii and sold 167,000 copies in its outset week.[31] The anthology remained in the Billboard Top 100 for ix weeks, supported by the offset single, "Minerva".[46] The ring shot a video for the anthology's second single, "Hexagram", with fans watching the band play the song in an indoor skatepark in Simi Valley, California.[47]

Reviews were mainly positive, praising the band for the album's progression and originality in the midst of declining creativity in contemporary metal.[48] Moreno was quoted as saying, "It's all on tape. We told motherfuckers not to lump united states of america in with nu metal because when those bands become down we aren't going to exist with them".[43] In reviewing Deftones, Stephen Thomas Erlewine wrote that "Hexagram", the album's opener, "hits hard—harder than they always have, revealing how mushy Staind is, or how toothless Linkin Park is". He also went on to say, however, that the album "sticks a piddling too close to familiar territory".[49] The A.V. Order similarly called the album "less rewarding than its predecessor, though its peaks rival whatsoever in the genre".[l]

The band released a compilation album titled B-Sides & Rarities on October 4, 2005. The CD includes various B-sides and covers from throughout their career, while the DVD contains behind-the-scenes footage and the band's complete videography upward to that indicate.[51]

Saturday Dark Wrist (2006–2007) [edit]

Deftones performing live in Glasgow, June 2006

Rather than work with Appointment, their producer for many years, Deftones decided to record with Bob Ezrin on their 5th studio album. Cunningham said that while the group enjoyed working with Date, "at this point, nosotros only needed to change things upwardly [...] And this is definitely a different style. Working with him [Ezrin] is only putting us fucking upside down. He's neat the whip".[52] Subsequently recording all the instrumental parts for the tape, Moreno decided to record his vocals separately, and finished recording the anthology with former Far guitarist Shaun Lopez as producer.[53] According to an interview with Abe Cunningham, in that location were tensions involved with the recording of Sabbatum Night Wrist that were related to the ring members' personal lives. Cunningham compared the process to pulling teeth.[54]

The band released the anthology, titled Saturday Nighttime Wrist, on October 31, 2006. Information technology debuted at No. 10 on the U.Due south. Billboard chart with sales of but over 76,000,[55] a significant subtract in the starting time-week sales of their 2 previous releases. The album's first single, "Hole in the Earth", was released on September 12, 2006.[56] The single was featured in the video game Saints Row, which was released in Baronial 2006, before long before the full release of Sabbatum Night Wrist. It was as well afterward featured as downloadable content for the PlayStation 3 and Xbox 360 versions of Guitar Hero three.[57] "Mein" was the anthology'south second single, which was released on March 9, 2007.[58] Collaborations on the record include Annie Hardy from Giant Drag on the song "Pink Cellphone" and Serj Tankian from Organization of a Down on the rails "Mein".

Deftones spent the bulk of 2006 and 2007 touring effectually the globe in support of the album, performing in North America, Europe, South America, Japan and Commonwealth of australia. The band too performed on such tours equally Taste of Chaos,[59] Family Values Tour[sixty] and the Soundwave Festival.[61]

Eros sessions and Cheng's car accident (2008–2009) [edit]

In the fall of 2007, Deftones started writing songs for what was planned to be their sixth studio album, Eros. Moreno described the album as unorthodox and ambitious. Recording started on April 14, 2008.[62] The band returned to working with Terry Appointment as the producer for Eros.[63]

On November 4, 2008, Cheng was seriously injured in a car blow in Santa Clara, California. Equally a result of the injuries sustained in the crash, he remained in a minimally witting state. Following the accident, Cheng's bandmates and his mother, Jeanne, began using the Deftones blog to post updates on Cheng's condition. On Dec nine, 2008, it was announced that Cheng had been moved into the care of an unnamed infirmary that "specializes in the care and management of traumatic and not-trauma related brain injuries."[64]

In tardily January 2009, the ring released a new argument, stating that "our fallen comrade has not yet made pregnant progress", and that a friend of the band, Sergio Vega (formerly of Quicksand), would be taking over as bassist in Cheng's absence, as he had done temporarily in 1998.[65] On Apr five, the band played their first testify without Cheng since 1998 at the Bamboozle Left festival in Irvine, California.[66]

On June 23, 2009, Deftones appear on their official website that Eros would be delayed indefinitely, saying, "Every bit nosotros neared completion on Eros, we realized that this record doesn't best encompass and represent who we are currently as people and as musicians. And although those songs volition see the light of twenty-four hour period at some point, we collectively made the decision that nosotros needed to take a new approach, and with Chi'southward status heavy on our minds while doing so. We needed to return to the studio to do what we felt was right artistically". They too said, "The determination to hold off on releasing Eros has no connection with Chi's status or anything associated. This was, and is, purely a artistic conclusion past the ring to write, record, and deliver an amazing product".[67]

Korn members Brian "Caput" Welch and Reginald "Fieldy" Arvizu, forth with members of Sevendust, Slipknot and other alternative metal bands, recorded and released "A Song for Chi", with proceeds benefiting Cheng and his family.[68] To aid in the fundraising for the Cheng family, the band announced two 2009 benefit shows in Los Angeles.[69]

A website—One Love for Chi—was launched by Deftones fan Gina Blackmore on March 10, 2009, almost 4 months after Cheng's accident. The site served as a platform for updates and information on Cheng's status, too equally serving equally an auction site for items donated by friends of the band. All proceeds raised by the website were donated to his family so they could provide him the best possible medical care.[70]

Diamond Eyes (2010–2011) [edit]

Deftones' sixth album, Diamond Eyes, was originally scheduled for release on Apr 27, 2010; this engagement was later pushed back to May 18. In March, it was announced that the album had leaked onto the Net, and the anthology's release engagement was moved forward to May 4 as a result.[71] On February 23, 2010, the album's kickoff unmarried, "Rocket Skates", was made available for costless download at www.gunsrazorsknives.com.[72] [73] The album was produced past Nick Raskulinecz. In contrast to Eros ' dark and aggressive nature, the band took a more optimistic approach both lyrically and sonically on Diamond Optics.[74]

On March fifteen, Deftones debuted their first radio-ready single, "Diamond Eyes". Both "Diamond Eyes" and "Rocket Skates" received positive reviews from fans and critics, with many making comparisons of the two singles' mode and sound to that of fabric from the Effectually the Fur album.[75]

Teaming up with bands Mastodon and Alice in Chains, Deftones went on tour in the fall of 2010 in the U.s.a. and Canada. The bout was called Blackdiamondskye from the three bands' latest albums (Blackness Gives Way to Blue, Diamond Optics and Crack the Skye). The tour included a limited edition series of silk-screened art prints promoting each prove individually, created past the poster artist Jermaine Rogers. Rogers has created a bulk of the Deftones concert poster and print artwork since the late 1990s.[76]

On Apr 16, 2011, in honor of Record Shop 24-hour interval, the ring released an LP titled Covers, containing several cover songs that the band had recorded over the years, including "Drive" (originally by the Cars), "If Merely This night Nosotros Could Sleep" (originally past the Cure) and "No Ordinary Love" (originally past Sade).[77] On October 25, Deftones released The Vinyl Collection 1995–2011 in a express edition of ane,000 copies.

Koi No Yokan and Cheng's expiry (2012–2013) [edit]

On March 29, 2012, Carpenter revealed that the band were working on a new tape in an interview posted on ESP Guitars's YouTube channel.[78] Information technology was reported that Raskulinecz would return to produce their as-even so-unnamed seventh studio album.[79]

It was as well reported that the band would be recording several B-sides for the anthology, including an Elvis Presley cover and maybe an Earth, Wind, and Fire embrace.[80] Information technology was later announced that there would exist no bonus tracks.[81] On July 28, Deftones performed a brand-new song titled "Rosemary" and also debuted another runway titled "Roller Derby" (later retitled "Poltergeist").[82] Koi No Yokan was announced on August 30, 2012,[83] and released on November 12, 2012, by Reprise Records.

On Apr 13, 2013, despite making a partial recovery and returning home, Cheng died in a hospital in his hometown of Stockton, California, after falling into cardiac arrest. Information technology had been more than 4 years since his 2008 accident.[84] [85] Moreno appear in May that the anthology Eros, shelved in 2008 after Cheng'due south accident, was now more than likely to exist released following his death.[86]

In May, Koi No Yokan won Revolver 's Golden Gods Award for Album of the Yr.[87]

Gore (2014–2017) [edit]

In March 2014, while Moreno was touring with his side projection Crosses, in support of their cocky-titled debut album, the rest of Deftones began writing a follow-upward to Koi No Yokan.[88] Deftones also previously reported that they intended to record a new anthology either in late 2014 or early 2015.[89]

On Apr 13, 2014, the start anniversary of Cheng'due south death, Deftones released a track from Eros titled "Smiling" on YouTube,[90] the first officially released material from the long-shelved album. The video was removed by Warner Music Grouping two days afterwards due to copyright infringement, despite the track having been uploaded past Moreno.[91] Although the track has over again been made available, it remains the only recording to be released from the Eros sessions to date.

Carpenter and Vega during Deftones' operation at Rock im Park 2016

In late Feb 2015, just after the band had finished the new anthology's drum tracks, Moreno told Rolling Stone that Deftones had written xvi songs during the album's sessions. He described the album as "a fiddling more than of a heady tape" than the previous album.[92] On May 15, 2015, Moreno was interviewed by Kerrang! most the new album, which he described as having "a lot of different moods". He further explained that it was not a "happy tape", but also "not a completely angry tape".[93] Despite reports of Carpenter'due south initial difficulty getting into the feel of the album, band members have noted the album'southward singled-out collaborative nature.[94] Vega utilized a 6-string bass when recording the new material, helping to push the band into new sonic territory.[95] After producing their previous two records with Raskulinecz, Deftones worked with Matt Hyde,[96] who had been a recording engineer on Koi No Yokan.[97]

The album was pushed back multiple times from its originally scheduled September 2015 release appointment.[98] [99] [100] On February four, 2016, the band released the first single from Gore, titled "Prayers / Triangles".[101] "Doomed User" and "Hearts / Wires" were also made available ahead of the album's release, on March 16 and April 3, respectively.[102] [103] Gore was officially released on April 8, 2016. The second official single, "Phantom Helpmate", was released on June seven.[104] The vocal featured a guitar solo past Alice in Chains guitarist Jerry Cantrell; this is considered unusual for a Deftones song.[105]

Ohms and Black Stallion (2017–present) [edit]

In 2017, Chino Moreno revealed that Deftones had begun writing material for their 9th studio anthology, which he stated hoped would be out sometime in 2019. Chino went on to land that the band would be going in a different direction than they had on Gore and that he would be taking a step dorsum from leading the song writing to allow Stephen Carpenter and Abe Cunningham to be more involved in the fabric on the new album. In May 2018, Moreno was over again asked about the new material and he stated the songs were "considerably heavier" than those on Gore.[106] That same month, Deftones embarked on a S American tour with support from Quicksand and Mortiferous Apples.[107] [108]

In April 2020, Deftones announced that they were mixing their new anthology.[109] During the recording sessions, which reportedly took place in Los Angeles, the band reunited with Terry Date equally the producer of the album, making information technology the first time Deftones had worked with him since the unreleased Eros album in 2008.[63] [110] On August xix, 2020, the ring teased the release date and the title of their upcoming ninth studio album.[111] [112] A mean solar day later, the ring officially announced the title of the album, Ohms, fix for release on September 25, 2020. At the aforementioned time, the band revealed the album itself, the album cover, the track list, and release date. The title track serves as the first single, and was released on August 21.[113] [114] On September 17, 2020, the band released the 2nd single from the album, "Genesis".[115] On September 22, the band announced their "Adopt-a-Dot" campaign in which fans could digitally sponsor a dot from the Ohms album cover via a charitable donation.[116]

In October 2020, they officially announced a 20th anniversary reissue of White Pony to be released in December of that yr. The reissue was packaged alongside Black Stallion, a companion remix album featuring artists including Mike Shinoda, DJ Shadow and the Cure'south Robert Smith.[117] [118] [119]

Deftones postponed their joint tour with Gojira in support of Ohms twice due to the COVID-nineteen pandemic.[120]

Musical style and influences [edit]

Although initially rooted in metal, Deftones have always claimed diverse influences from groups of diverse genres, with their musical style diversifying over their career.[6] Their sound has been described as alternative metallic, art rock/art metal, experimental rock, nu metal, post-punk, post-hardcore, alternative rock, dream pop, drone rock, post-metallic, shoegaze, post-rock, stoner rock, hard rock, trip hop, glitch, math metal, psychedelia, and funk metal.[annotation 1]

Originally, the band was often associated with the "nu metal" motion in the press. Still, Moreno has emphatically rejected the application of that label to the band.[144] Asked about their connection with bands such as Korn, the singer stated that their commonality came downward to simply the shared influence of Organized religion No More, especially the percussive arroyo to vocals past Mike Patton.[145] Following the release of Deftones' third anthology, White Pony, they were acknowledged past many critics to have moved beyond that label.[146] [147] [148]

The music critic Johnny Loftus wrote, "Rock critics usually reserve a special place for Deftones above or at least away from the balance of the plow-of-the-century metallic movement [....] Deftones have always seemed more than curious, more willing to incorporate traditionally revered sounds like D.C. hardcore and dream pop into their Northern California alt-metal".[51] Peter Buckley, the author of The Rough Guide to Rock, called the band "one of the about primal, powerful, and experimental" bands in the alternative metal scene.[149]

Moreno's lyrics were described past Time equally "suggesting emotions rather than announcing them".[150] Moreno himself described his lyrics as cryptic and sometimes impersonal, maxim: "I like to exist ambiguous when writing to a sure extent, and throwing something so brash [as Chi's accident] against that and playing with it. And besides making information technology sound dimensional. Giving the feeling off that it is raw and information technology is emotional, only it's not but connected with our personal story. It's not only nigh our career and our lives, it'south bigger than that. When I hear the music, I get inspired to paint the lyrical pictures you describe, merely I'yard not e'er talking about myself".[151] The band'southward legacy has been compared to alternative rock group Radiohead, with some dubbing Deftones "The Radiohead of metal".[1] [two]

Deftones' influences include Faith No More than, Afrika Bambaataa, the Cure, Depeche Mode, Orchestral Manoeuvres in the Dark (OMD), the Human League, Meshuggah, Duran Duran, Thompson Twins, Slint and Hum.[145] [152] [153] [154] [155] [156] [157]

Side projects [edit]

Deftones members have worked on several side projects, with Moreno fronting Team Sleep, Crosses, Palms and supergroup Saudade (the latter including members from hardcore punk bands Bad Brains and Cro-Mags and avant-jazz group Medeski Martin & Wood).[158] Carpenter works with cinematic electronic metal grouping Sol Invicto, which he founded with producer Richie Londres.[159] Carpenter has also worked with the supergroup Kush, featuring members of Fearfulness Manufacturing plant and Cypress Colina.[160] Delgado is a member of a DJ group called Decibel Devils, with DJ Crook of Team Slumber, Matt D and DJ Julez.[161] In 2000, Cheng released a CD equanimous of his own spoken word poetry, called The Bamboo Parachute.[162]

Moreno has also made a number of invitee appearances on songs by numerous other bands, such as "First Commandment" by Soulfly,[163] "Bender" by Sevendust,[164] "Paralytic" by Dead Poetic,[165] "Vengeance Is Mine" by Droid,[166] "Caviar" by Dance Gavin Dance,[167] "Surrender Your Sons" by Norma Jean,[168] "Reprogrammed to Hate" by Whitechapel,[169] "Embers" by Lamb of God,[170] and "Lift Off" by Mike Shinoda with Machine Gun Kelly.[171] Carpenter and Moreno too appeared on the song "If I Could" on Tech N9ne's 2011 album All half-dozen'due south and seven'southward.[172]

Ring members [edit]

Electric current members

  • Chino Moreno – lead vocals (1988–nowadays); rhythm guitar (1999–present)
  • Stephen Carpenter – lead guitar (1988–nowadays)
  • Abe Cunningham – drums (1988–1990, 1993–nowadays)
  • Frank Delgado – keyboards, turntables, samples (touring fellow member 1997–1998, official 1999-present)
  • Sergio Vega – bass, bankroll vocals (touring member 1998, official 2009–present)

One-time members

  • Dominic Garcia – bass (1988–1990); drums (1990–1991)
  • Chi Cheng – bass, backing vocals (1990–2008; died 2013)
  • John Taylor – drums (1991–1993)

Timeline

Awards and nominations [edit]

Discography [edit]

  • Adrenaline (1995)
  • Effectually the Fur (1997)
  • White Pony (2000)
  • Deftones (2003)
  • Sabbatum Night Wrist (2006)
  • Diamond Eyes (2010)
  • Koi No Yokan (2012)
  • Gore (2016)
  • Ohms (2020)

Notes [edit]

  1. ^ Musical styles:
    • "alternative metal"[half dozen] [121] [122] [123]
    • "art rock"[124] [125] [126] or "art metal"[127] [128]
    • "experimental rock"[129]
    • "nu metal"[125] [130] [131] [132]
    • "post-punk"[49] [130] [131] [133]
    • "post-hardcore"[134] [135] [133]
    • "culling stone"[136]
    • "dream pop"[124] [137]
    • "drone rock"[125]
    • "post-metal"[125] [138] [139] or "metalgaze"[140]
    • "shoegaze"[1] [133] [123]
    • "post-rock"[123] [133]
    • "stoner rock"[141]
    • "hard rock"[142]
    • "trip hop"[2] [133]
    • "glitch"[1] [two]
    • "math metal"[137]
    • "psychedelia"[2]
    • "funk metal"[143]

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Sources [edit]

Berelian, Essi (October 2003). "Deftones". In Buckley, Peter (ed.). The Rough Guide to Rock (3rd ed.). London: Rough Guides, Ltd. pp. 281–82. ISBN1-85828-457-0. OCLC 43937011.

External links [edit]

  • Official website
  • Oldest fansite website
  • Deftones discography at Discogs Edit this at Wikidata

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